Description
The Symphony I/O MK II audio interface is built for the most demanding audio productionsespecially immersive audio. With the recently released Monitor Workflows functionality, the 16×16 SE-equipped Symphony I/O is the plug-and-play solution to get started with Dolby Atmos and other immersive audio systems. Best of all, the SE conversion adds dimension to the added dimension of your multi-speaker monitoring setup. The 16×16 SE features the most advanced audio specifications of any Apogee interface ever. Greater dynamic range and a lower total harmonic distortion makes for enhanced purity and musicality in your listening experience.
A Difference You Can Hear
After the A/D and D/A conversion stages, the most crucial section of your audio interface is the analog output driver stagethe connection to your mixing and monitoring systems. The 16×16 SEs ultra-robust output driver stage preserves the integrity of your audio, regardless of cable length or input stage anomalies of the downstream devices.
20% More Efficient
In a masterful feat of electrical engineering, the 16×16 SE I/O module has fewer parts than its predecessor while also running about 20% more efficiently. That means a cooler running interface, even with a fully loaded 32×32 Symphony I/O chassis.
Inputs and Outputs
- 16 analog inputs and outputs on 4 D-sub connectors
Analog to Digital
- THD+N: -115dB @ 23dBu (0.00018%) unweighted
- Dynamic range: 124dB A weighted
- Maximum input levels
- +4dB setting: +24dBu
- -10dB setting: +10dBV
- Frequency response at 44.1kHz: 120,000 Hz (+/-0.05dB)
- Input impedance: 10K
Digital to Analog Specifications
- THD+N: -119dB @ 21dBu (0.00012%) unweighted
- Dynamic range: 128dB A weighted
- Max output levels: to +24dBu
- Frequency response at 44.1kHz: DC to 20kHz (+/-0.05dB)
- Output impedance: 50 ohms
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